PERKUSI / LIVE PADS
Pad Station
Tap, play, make music together.
Live pads. No patterns, recording or autoplay. Each device plays independently; phones are not synchronized.
Ready. Tap a pad to start.
Drum
Bilah
Kendhang Ciblon
Electric bass
Nylon guitar
Additional instruments
Original recorded strikes; no recording or pattern changes. Scale names follow source labels, not a claim of shared tuning with Bilah.
Keyboard: drums 1–8 · Bilah Z/X/C/V/B · kendhang A/S · bass D/F/G · guitar H/J/K. Shortcuts ignore input fields. Pads do not record.
Sound sources & licenses
Original drums & Bilah — CC0
Kendhang Ciblon
Kendhang Ciblon: DRUMS_CIBLON_MEDIUM_TAK.wav and DRUMS_CIBLON_MEDIUM_THUNG.wav, Digitopia_CdM / Digitopia Casa da Musica. Recordings: Pedro Augusto and Rui Penha; editing: Pedro Augusto; support: Jorge Queijo and Maria Monica. Sources: https://freesound.org/people/Digitopia_CdM/sounds/261992/ and https://freesound.org/people/Digitopia_CdM/sounds/261991/ . Recordings CC BY 3.0: https://creativecommons.org/licenses/by/3.0/ . Library package Artistic 2.0: https://digitopia.casadamusica.com/CDM-GAMELAN-SAMPLE-LIBRARY/ . Changes: uniform source gain 0.8; 48 kHz resampling, PCM24 and lossless FLAC packaging; playback velocity/mix and short edge envelopes; arrangement/mixing on export. No retuning or endorsement. Original/modified source forms and license notices are available from the instrument credits in Perkusi.com.
Bass
Short electric bass E1/G1/B1: Bass Guitar YR, Andrea Biasior; FreePats integration edits by Roberto, version 2019-09-30. Source https://freepats.zenvoid.org/ElectricGuitar/clean-electric-bass.html . CC0-1.0 https://creativecommons.org/publicdomain/zero/1.0/ . Changes: retained 48 kHz mono delivery with source gain 0.8; first 1.2 seconds, final 50 ms half-cosine fade; velocity/mix, short attack and 20 ms monophonic retrigger fade. No repitch, time stretch or missing notes generated. Originals and exact transformations/hashes retained by Perkusi.com. Limited three-note set, not a complete bass library.
Gitar nylon / Nylon guitar
Short nylon guitar B2/E3/G3: Roberto / FreePats, version 2019-06-18. Source https://freepats.zenvoid.org/Guitar/acoustic-guitar.html . CC0-1.0 https://creativecommons.org/publicdomain/zero/1.0/ . Changes: retained 48 kHz mono delivery with source gain 0.8; first 1.8 seconds, final 80 ms half-cosine fade; velocity/mix, short attack and 10 ms same-pitch retrigger fade; different pitches ring together. No repitch, time stretch or missing notes generated. Originals and exact transformations/hashes retained by Perkusi.com. Limited three-note set, not a complete guitar or chord library.
Kethuk
Kethuk: KETHUK_KtPL6.wav and KETHUK_KtSL2.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Kempyang
Kempyang: KEMPYANG_KpPL6.wav and KEMPYANG_KpSL1.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Kenong
Kenong: KENONG_KPL1h.wav, KENONG_KPL2.wav, KENONG_KPL3.wav, KENONG_KPL5.wav, KENONG_KPL6.wav, KENONG_KPL7.wav, KENONG_KSL1h.wav, KENONG_KSL2.wav, KENONG_KSL3.wav, KENONG_KSL5.wav, KENONG_KSL6.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Bonang panerus
Bonang panerus: BONANG_BPPL2.wav, BONANG_BPPL3.wav, BONANG_BPPL4.wav, BONANG_BPPL5.wav, BONANG_BPPL6.wav, BONANG_BPPL7.wav, BONANG_BPSL2.wav, BONANG_BPSL3.wav, BONANG_BPSL5.wav, BONANG_BPSL6.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied. Pelog 1 and Slendro 1 sources are held for curation; gain is not a source-clipping repair.
Peking
Peking: SARON_SPPL1.wav, SARON_SPPL2.wav, SARON_SPPL3.wav, SARON_SPPL4.wav, SARON_SPPL5.wav, SARON_SPPL6.wav, SARON_SPPL7.wav, SARON_SPSL1.wav, SARON_SPSL2.wav, SARON_SPSL3.wav, SARON_SPSL5.wav, SARON_SPSL6.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Saron barung
Saron barung: SARON_SBPL1.wav, SARON_SBPL2.wav, SARON_SBPL3.wav, SARON_SBPL4.wav, SARON_SBPL5.wav, SARON_SBPL6.wav, SARON_SBPL7.wav, SARON_SBSL1.wav, SARON_SBSL2.wav, SARON_SBSL3.wav, SARON_SBSL5.wav, SARON_SBSL6.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Bonang barung
Bonang barung: BONANG_BBPL1.wav, BONANG_BBPL2.wav, BONANG_BBPL5.wav, BONANG_BBPL6.wav, BONANG_BBSL1.wav, BONANG_BBSL2.wav, BONANG_BBSL3.wav, BONANG_BBSL5.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied. Pelog 3/4/7 and Slendro 6 sources are held for curation. Gain is not a source-clipping repair.
Demung
Demung: SARON_SDPL1.wav, SARON_SDPL2.wav, SARON_SDPL3.wav, SARON_SDPL4.wav, SARON_SDPL5.wav, SARON_SDPL6.wav, SARON_SDPL7.wav, SARON_SDSL1.wav, SARON_SDSL2.wav, SARON_SDSL3.wav, SARON_SDSL5.wav, SARON_SDSL6.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Kempul
Kempul: GONG_GKPL1f.wav, GONG_GKPL2f.wav, GONG_GKPL3f.wav, GONG_GKPL5f.wav, GONG_GKPL6f.wav, GONG_GKPL7f.wav, GONG_GKSL1f.wav, GONG_GKSL2f.wav, GONG_GKSL3f.wav, GONG_GKSL5f.wav, GONG_GKSL6f.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Gong ageng
Gong ageng: GONG_GAf.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.
Slenthem
Slenthem (retained registry classification; original titles): GENDER_GSPL2.wav, GENDER_GSPL3.wav, GENDER_GSPL4.wav, GENDER_GSPL5.wav, GENDER_GSPL7.wav, GENDER_GSSL1.wav, GENDER_GSSL2.wav, GENDER_GSSL6.wav — Digitopia_CdM / Digitopia Casa da Música. Recorded by Pedro Augusto and Rui Penha; edited by Pedro Augusto; support by Jorge Queijo and Maria Mónica. Recordings CC BY 3.0; package Artistic 2.0. Changes: 48 kHz delivery, source gain 0.8, lossless FLAC; runtime gain calibration and short edge envelope. Full duration retained; no retuning/denoising. No endorsement or cultural/listening verification implied.